Margot Robbie's Performance
Robbie makes the difficult task of bringing a character like Quinn to life look fairly effortless. Unlike many of DC Entertainment’s superheroes (think: Wonder Woman) and supervillains (think: Phoenix’s Joker), there’s an edge of camp and crassness to Quinn—oftentimes cartoonish humor undercuts her violence and horror. Unlike in Harley’s animated roots and comics appearances, live action doesn’t lend itself as easily to those visual gags, leaving Robbie to do the heavy lifting of injecting the right amount of comedy into Quinn’s mania. Sometimes she loosens her face into a smile amid bone-breaking violence, or sharpens her features into a pout as Quinn completely and uncomfortably misreads a situation.
Kate Erbland, IndieWireThe inspired spark of Margot Robbie’s performance is that she plays Harley as a party girl who is also a total freak—the ringleader of her own playground. With her platinum-blonde hair split into tinted pigtails (one pink, one blue), her pasty face bedecked with tattoos of a small black heart and the word “ROTTEN,” and that light-up-the-room-with-insanity grin, she’s a psycho siren who teeters between vengeance and valor, turning one into the other.
Robbie walks a fine line, tasked with making Harley lovable and annoying, grating but sincere, worthy of redemption but not always willing to work for it. Just as she did in 'Suicide Squad,' she succeeds at conveying this tricky balance, with a multifaceted “superhero” character uninterested in the status quo and wholly detached from the idea that someone needs to be “good” in order to do good.
The Action Scenes
Robbie and [director Cathy] Yan also deliver in the film’s excellent and varied scope of action scenes from the get-go, from chase sequences to brutal fight scenes (reportedly assisted by John Wick director Chad Stahleski). These moments are rarely gory despite the R-rating, which is used primarily to punctuate its script with a delectable amount of cursing, something that feels casually empowering for its female cast. They’re strengths that eventually push the movie’s initially stalled momentum into a nonstop rollercoaster of exhilarating, often hilarious set pieces that marry a carefree breezy tone with some incredibly inventive, viscerally engaging action.
Nicole Ludden, Arizona RepublicYan finds plenty of opportunities for exciting set pieces: Extravagant action choreography makes the most of colorful set design, unlikely gimmicks, and wrasslin'-style brutality.
The flashy fight scenes fueled by an all-star female cast make 'Birds of Prey' a DC depiction fans are sure to remember… [Yan] masters the mechanics of imaginative, swirling scenes that make otherwise overly drawn-out action sequences feel like an amusement park ride.
The Supporting Cast
Peter Travers, Rolling StoneSionis is totally grossed out at messiness, loves Botox, and also has a sociopathic quasi-boyfriend henchman in Victor Zsasz (a platinum-haired Chris Messina). McGregor spends much of the movie flipping his wrist to signal a murder like a conductor directing an orchestra, lounging in silk robes, dancing to no music, and saying the word 'birdy' over and over in reference to his lackeys. He just about slinks away with the entire movie, making you wish his Roman and Messina’s Zsasz had their own Warner Bros. supervillain prequel where they get to be gay and do crimes.
The praise only keeps coming from there—and while yes, these reviews are mixed, and yes, the plot is shallow, and yes, the whole thing is a bit ridiculous—it holds together at least well enough to be standing at 88 percent fresh on Rotten Tomatoes. On the whole, it sounds like Birds of Prey isn't going to wow you—but if you're looking for something to do on a rainy Sunday, it's at least worth your time.Sign up for our newsletter to get the best of VICE delivered to your inbox daily.Follow Drew Schwartz on Twitter.The fun comes in watching the women kick ass. Jurnee Smollett-Bell does just that as Dinah Lance, aka Black Canary, a songbird in Roman’s nightclub who’s become a street fighter to deflect male aggression. Mary Elizabeth Winstead excels as Huntress, aka the cross-bow killer, who’s taken a vow of vengeance against the gangsters who killed her family right in front of her. She’s pissed. So is Rosie Perez as Gotham police detective Renee Montoya—she’s tired of being passed over for promotion by men who don’t have an iota of her smarts. The dudes have to go down.