In July 2018, 31-year-old Shehzil Malik posted a graphic artwork on her Facebook page of a woman in a burkha walking by, while three men stare at her. The men, dressed in Pathani suits, look like they’re either mid-smirk or mid-wolf whistling. The background of the artwork indicates, at least for me as a woman across the border from where Malik lives, that the location is a South Asian locality. Malik, born and brought up in Lahore, has been involved in creating artwork and illustrations on, and for women from Pakistan, representing an identity that the mainstream and international media often miss out on.
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This work is one of them. Within hours, the post reached over 2,00,000 people on Facebook, seeing, as Malik states below in the same post, by people “beyond [her] usual audience”.It also received an overwhelming response. But a few (mostly men) had this to say:“Allah commands women to wear hijab therefore they wear it.”“This act is condemnable but it doesn't mean that women shouldn't cover her body.”“Sterotyping [sic].”“Yeah, so these retards are going to stare at you anyways. So give these fuckers some titties and Booties to watch, eh…??”Today, on International Women’s Day, as I mention this viral post to her over email, I can almost feel a shrug and a gentle laugh from her as she types her response. “Ah yes, that one made a lot of men very angry!” she says. “I don't draw for the responses I get. I'm interested in telling stories and being honest. I don’t read many of the comments I get; it's not productive. Artists have been working for centuries without immediate feedback from thousands of people, and I think that still works today.”
As a Pakistani artist, feminist and activist, Malik is a significant millennial voice emerging from South Asia—one that acknowledges the stereotyped representation of women in popular and mainstream culture, and seeks to demolish them through her work. The cultural and gendered roles in South Asia are deeply steeped in patriarchy, one that generations of women have been struggling to break, one problem at a time. And boy, there are a lot of them; the Me Too movement in the subcontinent has made that pretty evident.
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Today, though, as we speak, thousands of women are currently marching for the revolutionary Aurat March in Pakistan to commemorate International Women’s Day (It is scheduled to conclude at 6.30 pm IST today). The movement started last year in the country with the attempt to mobilise feminists across the country as well as vernacularise the movement. That’s how the marchers decided to own the term ‘Aurat’, which literally translates to ‘woman’ but is often laden with derogatory, sexist connotations. Last year, slogans such as “Ghar ka kaam, sab ka kaam (Household work is everybody’s work)”, “Khud khana garam karo (Heat up your own goddamn food)” and “Paratha rolls, not gender roles” added to the local flavour of the movement.Here, too, Malik’s presence is pleasantly conspicuous. As someone who has been very vocal about how inaccessible public spaces are in Pakistan for women, Malik joined the efforts of Nighat Dad and Leena Ghani, the organisers of Aurat March, early this year, and has contributed in the form of driving visual campaigns.
You’ll see her posters across the city of Lahore—in schools, offices, universities, shops, public walls. “I could not have imagined a better use for my art,” she tells me. In the days that led up to the march, she also saw that some of her posters had been torn down. “However, the posters are free to download, and women and girls across Pakistan have been proactively engaging in outreach, talking to people and pasting the posters all across the cities. I’ve never seen anything like it.”
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Birth of a Feminist
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A Long Road Ahead
As South Asian women, a lot adds up to our struggles, especially the invisibility. “All our stories, be it of success or failures, are not well-known to the world at large. I want South Asian lives to be seen. I want our struggles to be recognised. It helps all of us when there is empathy and understanding between people. We feel so many western icons are our heroes. It is time for our protagonists to be their heroes as well,” she says.Being in Pakistan doesn’t mean her work is restricted to her country. I, in fact, came across her work last year on Twitter, a space where her activism resonates with South Asians across the world. “I was recently in Nepal and met women artists from Nepal, India, Bangladesh and Sri lanka. I realised that while details differ, we all have similar challenges with patriarchal systems, parental control, political instability and a desire to change things. I think the topics I draw about—access to public spaces, being fearless in your life, perceptions of beauty, reconciling tradition with our modern ideas—are those that apply throughout South Asia.”
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Malik is currently in Germany, for an ongoing exhibition of her works at theFrauenkultur Centre in Leipzig. She is also doing workshops with Syrian refugee women and girls living there, along with talking to German school children about her work, South Asian lives and feminism. Today, for Women’s Day, she is painting at the city square, “to encourage art and dialogue about women.”As the war on patriarchy rages on, Malik leaves us with this one note: “If my work makes you angry, it says more about you and your beliefs than about me. Maybe it's time to be self reflective and ask yourself why a drawing of a woman makes you angry in the first place!”Shehzil Malik is on her website , Instagram , Facebook and Twitter.Follow Pallavi Pundir on Twitter.